CLUI: Through the Grapevine Bus Tour

The Center for Land Use Interpretation presents:

Through the Grapevine Bus Tour
Thursday August 12, 2010

Join us for a tour of a place meant to be passed through - a tour, essentially, of a highway. We will visit contemporary and historic lines of conveyance through the transitional geography between Central and Southern California - the epic Tejon Pass region.

The tour is part of the CLUI exhibit Through the Grapevine: Streams of Transit in Southern California's Great Pass, on display until August 29, 2010.

The bus will depart from the Center for Land Use Interpretation's Los Angeles location at 9331 Venice Blvd, Culver City at 9 AM Thursday, August 12th, and will return by 7 PM.

Tour ticket price is $30. Tickets go on sale on Tuesday, August 3rd @ 12 noon PST, and must be purchased online here.

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This tour is made possible by a grant from the Department of Cultural Affairs, City of Los Angeles and the CLUI Remarkable Roadways Program.

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The Center for Land Use Interpretation
9331 Venice Blvd.
Culver City, CA 90232
310.839.5722 office
310.839.6678 fax
clui@clui.org
www.clui.org

Directions

DAVID TAYLOR: Working the Line, CLUI Independent Interpreter

Independent Interpreter presentation at the Center for Land Use Interpretation's Los Angeles location:
DAVID TAYLOR: Working the Line
Wednesday August 4, 2010 at 7:00 pm
(Please arrive early, seating is limited.)

David Taylor's project "Working the Line" documents 276 obelisks, installed between the years 1892 and 1895, that mark the U.S./Mexico boundary from El Paso/Juarez to San Diego/Tijuana. He will present this work, and describe his experiences along this often remote and dramatic linear and liminal space.


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Image: Border Monument No. 184 - N 32º 09.347’ W 113º 42.403’

This talk is the third in a series of CLUI Independent Interpreter presentations which are part of an ongoing investigation of the nation's political and physical boundaries. The CLUI Independent Interpreter program is made possible by the support of the Andy Warhol Foundation for the Visual Arts.

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The Center for Land Use Interpretation
9331 Venice Blvd.
Culver City, CA 90232
310.839.5722 office
310.839.6678 fax
clui@clui.org
www.clui.org

Admission is free.

Directions

Artist in Residence and Writer in Residence 2010-11


Artist in Residence and Writer in Residence 2010-11

University College London

University College London
UCL Environment Institute
The UCL Environment Institute in conjunction with TippingPoint®, UCL Slade School of Art and the UCL History Department, is seeking to appoint an Artist-in-Residence and a Writer-in-Residence for the 2010-11 academic year.
With these two posts, the UCL Environment Institute is hoping to enhance further its aim of connecting the arts community and environmental professionals in order to explore and promote the relationship between the arts, science, technology, business and the environment, as a means of enhancing understanding and fostering collective action.
Both the artist and writer will be required to conduct a programme of work for academic staff and researchers linking art/creative writing with environmental issues centered on climate change. The specific content and structure of this programme will be from your proposal and will form the basis of selection at the interview stage. We anticipate that it might include a combination of various types of activities and styles of art.
The award for each is for 2 days per week for 9 months (October - June) and it is £8,000 plus up to £1,000 for expenses. The UCL Environment Institute will provide office space as required during this period.
The closing date for applications is 5pm, 2nd July 2010; late applications will not be accepted. Interviews will be held on 12th July 2010. Only shortlisted applicants will be notified. Please send 5 copies of the application to Nina Crane, UCLEI, Pearson Building, Gower Street, London, WC1E 6BT or by email: n.crane@ucl.ac.uk. The application should include the following: an outline of the proposed programme of work, a brief CV and, if appropriate, examples of recent work. Please note any work sent can only be returned if an SAE is included and is specifically requested.

GLOBAL CLIMATE ART PROJECT WITH 350.ORG


GLOBAL CLIMATE ART PROJECT


GUIDELINES

We welcome new and bold ideas for the 20 plus art pieces we will be capturing via satellite on November 27th + 28th

Because this is a unique collaboration between artists and 350.org, we invite artists to participate at all levels from conceptualizing an idea that we execute on our own, to designing a piece and being physically on site to facilitate the piece being realized.

Below are some basic guidelines that will increase the likelihood of the art being successfully captured by satellite. We encourage creative visions and therefore invite artists to suggest ideas that might not exactly fit the guidelines below.

SIZE - The ideal minimum size for capturing the art via satellite is roughly equivalent to a soccer field, e.g. 120 yards x 75 yards or 110 meters x 70 meters.

MATERIALS – We respect that many of you use specific materials for your work. For your medium for this unique collaboration, we invite you to incorporate the people throughout the world who make up 350’s amazing international grassroots network. In some regions of the world 350.org has a very strong presence and can bring 1,000 plus people to participate in your art.

Note: If you would like to use or incorporate materials into the sculpture, we recommend that you use waterproof materials that can withstand the outdoor elements.

CONTRAST – is what make the images pop from afar so any piece that involves sharp color or shape contrast is fantastic.

TIME OF DAY – The satellite images can be taken during the day or at night. (If you’re considering a nighttime installation involving illumination, we encourage artists to use light sources that are not energy intensive. We would be happy to brainstorm ideas with you.)

350.ORG SUPPORT

Although 350.org cannot monetarily compensate artists, we can support and augment your work in a multitude of ways:

MATERIALS: As noted above, 350.org has an international grassroots network of people who can serve as the medium for your piece. Please note that 350.org’s presence varies based on geographical location. We would be happy to discuss which region you would like to showcase your piece in, how many people on the ground will be available to participate in the piece, the specific topography of the region etc.

REGIONAL COORDINATORS: 350.org has regional coordinators who can provide on the ground volunteers to help facilitate creating your art piece. This includes scouting locations, helping secure permits, organizing the volunteers who will make up your art piece etc.

GLOBAL COORDINATOR: A global coordinator will be managing the art project from inception through the to weekend of the launch.

DOCUMENTATION + INTERNATIONAL MEDIA

CREATION of ART – We are currently talking to various photographers and cinematographers about documenting the creative process involved in bringing these visions to life. The idea is to use these images and footage as part of a multi-media piece we are creating as well as to offer these images and footage to mainstream press on the weekend of the reveal. Artists will be provided free copies of all images and video footage generated of their art by photographers and cinematographers collaborating with 350.org.

ON-SITE NOV 27 + 28 – The goal is to provide an aerial shot of the piece (satellite), as well as close up on the ground photos (and where feasible, video), of the art and people involved. Artists will be provided free copies of all images and video footage generated of their art by photographers and cinematographers collaborating with 350.org.

PRESS - 350.org has a stellar communications team with a successful track record of garnering press for their international actions. For example, last October 24, 2009, 350.org coordinated 5200 simultaneous demonstrations around the world, what CNN called ‘the most widespread day of political action in the planet’s history’ on any issue. Due to 350.org communications team, these actions were also widely covered by a wealth of media outlets from local to global media giants like CNN. We have already begun discussions with Google.org and YouTube about featuring the art pieces on their websites the weekend of the reveal.

PLEASE CONTACT US

We appreciate that the above information is just a slice of the information you need for creating an art piece. Because we don’t want to overwhelm you, we sought to keep this introduction simple. We would be more than happy to provide you additional information, field any additional questions you might have etc. Please don’t hesitate to contact us: heidi@350.org 415.845.6330

VAN HORN PRESENTS KATIE HOLTEN


Photo © Katie Holten, studio, 2010


VAN HORN PRESENTS KATIE HOLTEN
2010
JUNE 11 - JULY 17, 2010
Opening June 11, 7pm

We are very pleased to announce our third solo exhibition with Katie Holten, which will be her first in the new VAN HORN space.

At the root of Katie Holten’s practice is a love of drawing. In 2010 Holten presents a series of new drawings that deepen her curiosity for the conditions by which specific natural materials, such as twigs, stones and fossils, both emerge from and return to culture.

The gallery walls are painted the ‘average color of the universe’ (as calculated by astrophysicists at Johns Hopkins). The first and ‘incorrect’ version is popularly called Cosmic Turquoise. The painted walls serve as the ‘ground’ on which the drawing installation takes form. 2010 grows out of Holten’s recent discussions with historians, economists, geophysicists, musicians, botanists, ecologists, teachers, and architects during her exploration of the ecosystem in the South Bronx, NY for her acclaimed Tree Museum (2009-2010).

In these new works Holten takes pages from The Golden Bough (Frazer, 1953), On Aggression (Lorenz, 1963) and Civilized Man’s Eight Deadly Sins (Lorenz, 1973) and uses them as both a surface for drawing on and as material for making drawn sculptures. Holten uses these seminal texts as ‘readymade’ narratives - the printed words on the pages tell the story of man’s fascination with, control of, and domination over nature – while Holten’s drawings depict man-made objects, from pre-historic stone tools to Cumulus clouds created from smog and contrails. These drawings continue Holten’s ongoing meditation on the inextricable link between man and nature in the age of the Anthropocene. The ecological is now entwined with the economical. 2010 explores where we are coming from, where we are at now and where we are going, or could be going.

"The basis of the work of Katie Holten is the relationship between nature, social construction and memory. The poetics of the Irish artist prompts reflection on the perception of the life systems and organic processes that surround us, with the aim of revealing spaces that are often overlooked. In the recent work The Golden Bough the artist comes to terms with the relativity of science, showing us ‘Cosmic Latte’ and ‘Cosmic Turquoise’, the average color of the universe. Imagination, science and nature intertwine in a dialogue intended to reactivate dulled senses." Ilaria Gianni, 2010

Katie Holten was born in 1975 in Dublin and represented Ireland at the 50th Venice Biennale in 2003. Recent solo museum exhibitions include The Hugh Lane, Dublin (2010), The Bronx Museum, New York (2009), Nevada Museum of Art (2008), Villa Merkel, Esslingen (2008) and the Contemporary Art Museum St. Louis (2007).


VAN HORN
ACKERSTR. 99, 40233 DÜSSELDORF
T+F. +49 211 5008654 M. +49 172 2355557

Emerging Landscapes Conference


Emerging Landscapes

This conference is a joint venture between the School of Architecture and the Built Environment and the School of Media, Arts, and Design, University of Westminster.

Dates: 25 - 27 June 2010

Outline
The past thirty years have witnessed social, geopolitical, technological, and economic change on a global scale. Alongside these shifts, landscape has also changed its nature. Focusing primarily, not not exclusively, on the synergies between the disciplines of photographer and architecture, this international and interdisciplinary conference will examine and critically reassess the interface between production and representation in the creation of contemporary landscape.

Emerging Landscapes asks practitioners, writers, critics, artists, and others working in the broad fields of the built environment (ie: architecture, landscape architecture, and urban design) and the represented environment (ie: photography, film, and the visual arts) to reconsider the idea of landscape by interrogating the relationship between space and image; to explore the synergies that exist between landscape representation - the imaginary and symbolic shaping of the human environment - the landscape production - the physical and material changes wrought on the land.

See http://www.emerginglandscapes.org.uk/ for more information and schedule.

2010 Land/Water Summer Symposium

Land/Water consists of artists, writers and curators who embrace a diversity of creative and critical practices. As a research group it operates as a forum for interrogation of nature and culture, aesthetics and representation. Questioning imagery and practices relating to land, landscape and place is central to our ethos. As artists, writers, curators we work individually exploring space and place as a point of departure for experimenting in new modes of communication through picturing. We generate work that addresses a range of issues. These include environmental change, sustainability, journey, site and regional specificity.
In addition a forum for theoretical and methodological debate is constructed through research events, exchange exhibitions (with other HE Institutions), conferences, symposia and publications.
The 2010 Land/Water Summer Symposium Land and the Metaphysical will be held Thursday 1st - Friday 2nd July at University of Plymouth: please seeEvents section for details.

VIsit http://landwater-research.co.uk/ for more info.

18th International Symposium on Electronic Art (ISEA2012)

The ISEA International Foundation Board is pleased to announce that the
18th International Symposium on Electronic Art (ISEA2012) will be held in
Albuquerque, New Mexico, USA.

ISEA2012 has been awarded to the University of New Mexico (UNM) College of
Fine Arts in collaboration with 516 ARTS

The New Mexico bid was presented at ISEA2009 Belfast.
Following a final submission process, the Foundation Board has agreed that
the New Mexico proposal is dynamic and diverse, with a strong regional and
environmental focus.

ISEA2012 will be staged in Fall 2012 in Albuquerque and Santa Fe with
the bulk of the symposium held on and near the University of New Mexico in
Albuquerque.

On hearing news of the successful bid, Prof. Polli commented: "New Mexico is
unique not only as the site of the most ancient settlements in the country,
dating back to 1100 A.D., but as the site of many scientific breakthroughs
and controversies including the first atomic detonation. Our location is
experiencing some of the fastest growth in the country with high-energy
research at Sandia and Los Alamos Laboratories, the first commercial
Spaceport, and an active film and game industry, while also being the home
to 19 Native American Pueblos. We hope that the site will inspire a wide
range of projects including many that extend outside the gallery and
conference center walls."

For further information please contact ISEAHQ Director Sue Gollifer
info@isea-web.org

CELEBRANDO LAS ACEQUIAS: PAST, PRESENT AND FUTURE

If you are in or near northern New Mexico:

CELEBRANDO LAS ACEQUIAS:
PAST, PRESENT AND FUTURE

JUNE 11th – 13th, 2010

Embudo Mission
Dixon, New Mexico

Celebrating the water, land, food, and people of the acequias.

Free and open to the public.

Friday, June 11, 2010

7:00 pm OPENING PRESENTATION: THINKING LIKE A WATERSHED
Jack Loeffler

8:00 pm FILM SCREENING: GENETIC CHILI

Chris Dudley

EXHIBITION: EL OJO DEL EMBUDO
Geraldine Forbes and Tim Castillo,
UNM School of Architecture and Planning,


Saturday, June 12

8:30 am REGISTRATION

9:30 am STATE AND ACEQUIA PARTNERSHIP
Estevan Lopez, Chairman
Interstate Stream Commission

10:30 am CELEBRATING A TEACHING LANDSCAPE
Hadley + Peter Arnold, co-directors
Arid Lands Institute, Woodbury University, Burbank, CA

11:30 am WATER AND SACRED LANDSCAPE IN NEW MEXICO
Dr. Sylvia Rodriguez, University of New Mexico



12:30 pm LUNCH


1:30 pm ACEQUIA LANDSCAPE PLANNING AND MANAGEMENT
Arnie Valdez, Planner, Santa Fe County


2:30 pm NATIVE FOODS
Dr. Gary Nabhan, University of Arizona Southwest Center


3:30 pm FEMALE VOICES IN THE FOOD POLICY DEBATE
Moderator: Dr. Marcia Brenden
Panelists: Lucia Sanchez, Norma Navarro, and Isaura Andaluz

4:30 pm DREAMING NEW MEXICO
Arty Mangan, Food and Farming Director, Bioneers


5:30 pm CENA, DINNER


6:30 pm PRESENTATIONS:
Mayordomo and Farmer of the Year

7:00pm MUSICA
Locals: Los Coyotes de CaÒoncito
From El Rito: Cipriano Vigil
From Albuquerque: Chuy Martinez y los Trinos

Sunday, June 13

12:00 pm Earthworks Institute


12:30 pm ARROYO RESTORATION WORKSHOP

Bill Zeedyk and Van Clothier
Let the Water Do The Work: Induced Meandering, an Evolving Method for Restoring Incised Channels.


ORGANIZERS

Event Director:
Estevan Arellano, farmer, writer, historian
Embudo, NM

Sponsor:
ARIDLANDSINSTITUTE
@ Woodbury University
Design Innovation at the Nexus of Water, Energy, and Climate Change.

7500 Glenoaks Boulevard
Burbank, CA 91510
818. 394 3335

The mission of the Arid Lands Institute at Woodbury University is to train designers and citizens to be resourceful and inventive in the face of water scarcity and hyrdologic variability brought on by climate change. ALI offers undergraduate and graduate educational opportunities; design advisory services; research; and public programs. aridlands.woodbury.edu

The Arid Lands Institute @ Woodbury University is supported by funding under Grant Number HSIAC-09-CA-39 with the U.S. Department of Housing and Urban Development, Office of University Partnerships.
Co-sponsored by:
Embudo Valley Library
Cuatro Puertas
New Mexico Acequia Institute
The Acequia Institute
Earthworks Institute
Vivac Winery
La Chiripada Winery
McCune Foundation

LINKS

LAND/ART Book Release Party: June 16, 5:30 - 7:30pm

Please join Radius Books & 516 ARTS on Wednesday, June 16, 5:30 - 7:30pm to celebrate the release of the culminating book "LAND/ART New Mexico" published by Radius Books.



CALL FOR SUBMISSIONS: THIRD COAST ATLAS


image: Green Area designates watershed of the great lakes. All rivers and streams within this area drain into the Great Lakes. Water flows from the lakes into the Atlantic Ocean through the St. Lawrence River. For the purposes of this publication, we will consider the St. Lawrence River and Seaway, Finger Lakes Region of New York, Headwaters of the region above Lake Nipigon, as well as the various canal and hydrological management systems associated with the Great Lakes as sufficiently relevant to warrant inclusion in the region.

3rd Coast Atlas is seeking submissions.

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criteria

Submissions will be evaluated by the editors (and where necessary an independent editorial board) depending upon three criteria:

1.Quality of original intellectual and representational content and its contribution to the overall collection.

2.Relevance to sites and or subjects within the Great Lakes Drainage Basin. See map above and caption for details on geographic limits.

3.Relevance to the categories outlined for the publication.


More information about the project and submissions can be found here: www.3rdcoastatlas.com.

3rd Coast Atlas
is a platform for research and design initiatives that explore the urbanization, landscape, infrastructure and ecology of the Great Lakes Basin and Great Lakes Megaregion. 3CA was initiated in 2009 by Clare Lyster, University of Illinois
, Chicago; Charles Waldheim, Harvard University, and Mason White, University of Toronto.

ERRATIC SPACES/THE LAND: An installation by Don Gill


THE LAND/an art site, Inc. presents

An installation by Don Gill
ERRATIC SPACES/THE LAND

June 5-26, 2010
Opening reception and artist’s talk June 5, 5-8 pm
Gallery Hours: Thursday and Saturday 11am-5pm and by appointment

THE LAND/gallery
419 Granite Ave. NW
Albuquerque, NM 87102
(505) 242-1501
Email: theland@comcast.net
Website: www.landartsite.org

ERRATIC SPACE: Treating space as unmapped/unknown terrain that becomes known by wandering and examination. This wandering, in association with photography, video, GPS technology, and other forms of data collection, develops a map of both the physical terrain and the artist's experience of it. Erratic Spaces/THE LAND is a gallery installation based on the artist's February 2010 residency at THE LAND/an art site.

Multi-media artist DON GILL teaches at Lethbridge University, Alberta. In addition to New Mexico, recent art projects have taken him to D'Arcy Island, British Columbia and New South Wales, Australia.

THE LAND/an art site, Inc., a nonprofit organization, provides environmental artists with opportunities to work and exhibit in New Mexico, and works to promote awareness of environmental issues through the arts. THE LAND maintains offices, a resource center and a gallery space, THE LAND/gallery, in downtown Albuquerque, and a forty-acre outdoor site in the foothills of the Manzano Mountains devoted exclusively to site-specific, environmentally low-impact, land-based art.

CONTACT: THE LAND/an art site at (505) 242-1501

New at the Center for Art + Environment

nevada museum of art
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Bill Gilbert: Physiocartographies Now Open
Through September 26

Bill Gilbert's exhibition of walking maps, Physiocartographies, traces his attempts to hike predetermined routes through varied terrain, inevitably frustrated by weather, topography, and the limits of his own body. Handwriting and audio recordings overlay enlarged topographical maps, living proof that "the map is not the territory." more >
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Museum Receives Selection of Lita Albuquerque Archives


The newest collection to join the CA+E Archive will be materials from Lita Albuquerque's Stellar Axis. Stay tuned for the Museum’s public exhibition of this important work, the first large-scale installation made in the Antarctic. more >
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Blogging from Australia


Watch for forthcoming blogs by CA+E Director Bill Fox, who this month and next will again be traveling through New Zealand and Australia meeting artists, collecting archive materials, and visiting remote Aboriginal art centers in the deserts of Western Australia.more >
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Chinese Economics and Yang Yongliang


Don’t miss Views From China: Yang Yongliang and the Modern Metropolis, the first-ever American museum exhibition of Yang Yongliang’s haunting images of Chinese landscapes, recalling traditional Chinese paintings in the form of contemporary digital imagery. Join Elliott Parker for a discussion of Chinese economics and Yongliang’s work June 4. more >
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“Placing Space | Spacing Place”
New Videos on the Art + Environment Social Network

Six new videos of the “Placing Space | Spacing Place” panel at the Art + Environment Conference are now available on the Art + Environment Social Network. This session brought together individuals who have worked to develop interdisciplinary networks of artists, designers, and scholars to explore the nature of place and placelessness. Videos feature William L. Fox, Bill Gilbert, Matthew Coolidge, Cheryl Haines, and Geoff Manaugh. more >


nma

Land Art Generator Initiative DEADLINE June 4th


www.landartgenerator.org

Register
Register
Register
Pledge
Register
Design Guide
Register
Contact
Register

The 2010 International Sculpture Conference in London

Earlier this month we had the honor of presenting at the 22nd annual International Sculpture Conference. LAGI was included in the panel "A Changing Landscape: Sculpture, Society & Environment" chaired by John Grande and also featuring John Roloffand Ian Hunter.

There was a lot of interest in the creative fusion of renewable energy infrastructure and public art and also the specific context of public art potential in the United Arab Emirates. The panel resulted in a very stimulating discussion and audience questions, and while there was some distance conceptually between the work of the panelists, there was a great thread that tied it all together: the necessity for new sculptural conceptions of landscape, be they agricultural, geological, ecological, or energy infrastructural. The continued relevance of sculptural intervention requires a constant reassessment in the context of contemporary cultural issues. Thoughtful sculptural interventions in the landscape can impart a new framework of understanding about fundamental cultural currencies such as water, food, energy, and ecology.

We thank the ISC for inviting us to be a part of this international event.
isclondon

BarCamp UAE

The next edition of DoCamp will be held on 8th May 2010 at Dubai Internet City. (Block 1, DKV Conference Halls)

We will be holding a session titled, The Aesthetics of Renewable Energy: The Land Art Generator Initiative in Room A at 4:15PM.

See BarCampUAE for more information on the sessions and for a location map to the event.

BarCamp is an ad-hoc unconference born from the desire for people to share and learn in an open environment. It is an intense event with discussions, demos and interaction from participants.

bar


ECO Friendly EXPO

We will be lecturing during the The Power of Green Lecture Series at the Eco Friendly Expo in New York City on May 27.

"The Eco Friendly Expo is a three-day event in the heart of New York City. Featuring Eco innovation and sustainable Design from all over the world! This trade show is a high-end marketplace that serves as a showcase for environmentally friendly companies, services and destinations, attracting both public and private sector buyers in the Tri-state area. Eco Friendly Expo is bringing Green to a Grand New Level!

The Show also features The Power of Green Lecture Series, including seminars with experts in different fields, book signings, and demonstrations. Participants include members of the Bloomberg Administration, School of International and Public Affairs of Columbia University, Barnes and Noble and the Food Network, among others.

eco

We hope to see you at these upcoming events.

Please go to www.landartgenerator.org for more information about these and other LAGI happenings. And to see recent press coverage, click here.

thankyou

A special thanks to the Friends of LAGI and in-kind supporters who have contributed their support to help make the competition possible:

thejamjar
Tasmena
Energy World Magazine
Reuben Andrews
Jane Meikle
Jude van der Merwe
Ramzi Jaber
Rhonda Hauff
John and Jennifer Ferry


We continue to seek support from individuals and institutions. Please visit ourSPONSORSHIP page for details.

José León Cerrillo closing


Please join us for a reception at the Schindler House to celebrate the conclusion of José León Cerrillo's project with a limited edition, co-publication between Los Angeles Nomadic Division (LAND) and LA art press Paper Chase Press.

Wednesday, May 12, 2010
7:00 p.m. - 9:00 p.m.

Please RSVP to rsvp@nomadicdivision.org

This event is FREE, with a suggested donation of Schindler House admission ($7 general, $6 students)

MAK Center for Art and Architecture
at the Schindler House

835 North Kings Road
West Hollywood, CA 90069
(323) 651-1510
www.MAKCenter.org

About the event
From January 30 - March 26, 2010, Mexico City-based artist José León Cerrillo took up residence at R.M. Schindler's Fitzpatrick-Leland House, reanimating the space through constant artistic production and punctuated events. On site, Cerrillo produced a series of posters riffing on the graphic programs of a variety of sources - from the familiar Art and Architecture portfolio of "lifestyle" modernism, to Schindler's and other LA-based architects' body of work, to the present-day modernist architectural imagery as translated in popular print media and advertising.

This work has been collected in a limited edition portfolio and publication to be on first view during this evening. Please contact info@nomadicdivision.orgfor more information or to purchase the edition.

About LAND
LAND is a non-profit public art initiative committed to curating site- and situation-specific contemporary art projects, in Los Angeles and beyond. VIA is a series of temporary public projects by contemporary artists from Mexico that is taking place throughout the year at multiple venues around Los Angeles.

This project made possible by Grants for New Projects (GNP). GNP is a non-profit, charitable entity that provides funding for curators and emerging artists to produce contemporary art projects.


NOMADICDIVISION.ORG
Follow us on FACEBOOK
Become a MEMBER

The Last-Hurrah Malibu Public Beaches Safaris

The LOS ANGELES URBAN RANGERS ANNOUNCE:

The Last-Hurrah Malibu Public Beaches Safaris
Sun. May 23 -- 9am, 11:30pm, and 2pm

We're wrapping up our 3-year Malibu project, and to celebrate our public beaches one last time, we're offering 3 (yes, three!) free mini-safaris. No sign-up required. All welcome!

What: Are you tired of Zuma and Surfrider? Want to find and use the the 20 miles of public beaches that are lined with private development? Our safaris will equip you with the advanced skills necessary to find and use the Malibu public beaches legally and safely. Activities include signwatching, trailblazing the public-private boundary, and a public easement potluck.

When: Choose 1 of the 3 start times (each lasts ~1 3/4 hrs). Please do not plan to join mid-safari.

Where: Come to the public beach accessway between 22140-22126 Pacific Coast Highway (~.5 mis west of Carbon Canyon Rd. and ~1 mi. east of Malibu pier). Park on either side of the PCH (cross with caution), and walk through the accessway to the beach. (Or take the 534 PCH bus!--nearest stop is Carbon Canyon Rd.-- www.metro.net.) Please allow for plenty of time to find a parking spot, since availability of beach parking is unpredictable.

Tip: Want the easiest parking?--Try the 9am safari.

Rangers should arrive at the base of the accessway (on the beach--look for the uniform) to assemble each safari at least 15 minutes in advance of each start time. If you arrive early, you can walk on the wet sand anywhere, and on the dry sand (at least 10 ft. from the houses) on the FIRST 4 PROPERTIES TO THE LEFT (downcoast). Please do not use the dry sand upcoast or elsewhere.

Bring: Snack for the potluck (just for you), water if you need it, sun protection, and extra layer for warmth.

Please note: No bathroom available at meeting point--Try the fast-food restaurants just upcoast on the PCH.

Dogs, sadly, are not allowed on the beaches.


Hope to see you at the beach!

Check out our new website!
www.laurbanrangers.org

A downloadable "Malibu Public Beaches" guide is available on our website.

CLUI exhibition: THROUGH THE GRAPEVINE: Streams of Transit in Southern California's Great Pass

New exhibit at the Center for Land Use Interpretation's Los Angeles location:


THROUGH THE GRAPEVINE: Streams of Transit in Southern California's Great Pass
Exhibit open from April 23, 2010

The mountainous passage that separates the great population of Southern California from the rest of the state is a zone of transit, from one epic region to another. Located at the collision of the San Gabriel and Tehachapi Mountain Ranges, this steep and convoluted terrain lies between the northern edge of the Los Angeles megalopolis and the depopulated place known as Grapevine, at the southern end of the Central Valley. Layers of traffic, water, and energy move like a braided stream through the mountainous terrain, connecting here to there.

grapevine.jpg

This exhibit is made possible by a grant from the Department of Cultural Affairs, City of Los Angeles and the CLUI Remarkable Roadways Program.

dca_logo.jpg

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The Center for Land Use Interpretation
9331 Venice Blvd.
Culver City, CA 90232
310.839.5722 office
310.839.6678 fax
clui@clui.org
www.clui.org

Exhibit is open 12 - 5 PM, Friday, Saturday, and Sunday, or by appointment.
Admission is free.

Directions

A High Desert Test Sites Lecture & Workshop Series: The New Everyday Life


A High Desert Test Sites Lecture & Workshop Series


HDTS Headquarters
6470 Veterans Way
Joshua Tree, CA 92252

ANNOUNCEMENT

Join us for our premier pilot weekend of The New Everyday Life, a lecture and workshop series that will commence Saturday May 1st-Sunday May 2nd 2010.

In keeping with the HDTS mission to create truly alternative spaces for art that challenges traditional conventions of ownership, presentation and patronage, The New Everyday Life will bring together guest artists and participants whose talent and knowledge varies widely but who all share a desire to approach daily life with a blend of both experimental and practical thinking. For our weekend-long symposium that includes four workshops and an open-air dinner, we will enroll twelve students in an immersive suite of 2 hour classes held in special locations in and around the Morongo Basin.

The New Everyday Live is an endeavor designed to both stimulate conversation and catalyze action by considering overlap between contemporary art and craft, sustainable living, survival skills, ecology and earth science, and cultural variation. Each participant in The New Everyday Life will leave with a new set of skills and inspirations, after intimately experiencing the Mojave desert’s unique context for life and living.

ITINERARY

Saturday May 1st

12:00. Meet for introduction and driving maps at the HDTS Headquarters in sunny downtown Joshua Tree.

12:30 – 2:30 Visit Wells Pollock in his school bus leather working studio encampment on the edge of the marine base and learn how to do bootleg leatherworking using readily available household tools and implements.

3:30 – 5:30 Hang out with Trinie Dalton at A-Z West Cabin and practice bookmaking stitches to make a book about your experience of the desert. (Note: Dalton will contact participants in advance about prep, supplies, and other details to maximize stitch-learning time. Beginners to advanced bookmakers welcome.)

6:30 – 9:30 Travel to section six with Chantale Doyle to learn more about how she lived for one year in her vegi-oil powered VW Vanagon while supporting herself by selling on ebay.

Dinner. Chantale will fix everyone an exotic fish taco dinner on her van's cookstove.

Sunday May 2nd

12:00 – 2:00: Meet on the patio of A-Z West for a beer-making workshop with Katie Grinnan and a goodbye toast with her special honey basil, peach, and ginger brews.

PRESENTER BIOGRAPHIES

Chantale Doyle is an artist who lives in the Mojave desert near Joshua Tree. In 2007 Doyle spent a year living and traveling in a Volkswagen van powered by waste vegetable oil, which she learned to collect from dumpsters and filter to use as fuel for her vehicle. While traveling through twenty-four states and three provinces, Doyle created an exhibition of drawings that was shown in Japan, Canada and California in 2009. Doyle is now at work on a book about her experiences and continuing her efforts to live in a manner that nurtures creative independence. She owns Mt. Fuji General Store, next door to the HDTS headquarters.

For more info: http://web.mac.com/chandoyle/Site/Events/Entries/2009/10/18_Chantale_Doyle.html

http://www.chantaledoyle.com/


Wells Pollock was born on a Minnesota commune. Before moving to Joshua Tree to start a goat farm, he lived in New York City, the Mississippi River Valley, Spain, Holland and San Francisco, organizing experimental film screenings and music events. As a performance artist he once threw a year-long conceptual art and psychic orgy in Iowa City. He’s done everything from renovating a 16th century goat shack in southern Spain to cooking on a squatted boat in Amsterdam. He learned leatherworking at an S&M factory in San Francisco. Of this he says, “Leatherworking is one of humankind's most basic crafts. Unfortunately, most of it now doesn't match up with anybody's visions. My goal is to help people realize their dreams of belts, collars, wristbands and so much more. I like making things that are beautiful, functional and that my friends can still afford! Most of the leather I use is salvaged and I am working on designing my own hardware.” Pollock lives in a renovated school bus on the Copper Mountain Mesa.

Trinie Dalton has authored, curated, and/or co-edited five books: Wide Eyed (Akashic), A Unicorn Is Born (Abrams), Dear New Girl or Whatever Your Name Is (McSweeney's), Mythtym (Picturebox) and Sweet Tomb (Madras Press). Her books vary between pure text and experiments with art + image. She teaches bookarts at NYU and Pratt, and exhibits or builds lectures around her handmade books’ subject matter. Her most recent event/exhibitions were at Deitch Projects in New York for Gelatin’s PIG Sunday School series, and at Las Cienegas Projects in Los Angeles. Her next book will be published by Ecstatic Peace Library.

For more info: http://sweettomb.com/

Katie Grinnan is an internationally exhibiting artist from Los Angeles. Her work focuses on using imagery and physicality to exploit the alchemical nature of perception and space. Her interest in making beer began by happenstance, stopping into a beer making shop and realizing that beer is a sort of homespun alchemical process. It's everyday magic. Her beer is called Wizard Brew.


LOGISITICS

Cost:

The cost is $120 per person for the weekend that includes Chantale's fish taco dinner. All proceeds are used to cover basic event expenses and to pay the speakers.

Enrollment:

Due to the intimate nature of this event the group will be limited to twelve people. No application is needed, but spaces will be filled on a first come first serve basis. If you would like to enroll please email info.hdts@gmail.com – you will be emailed instructions so that you can pay via Paypal, the first 12 people who pay will be signed up for the course.

Lodging:

A limited amount of campsites are available on Zittel’s property, and can be pre-arranged with the host on a first come, first serve basis. Alternately, camping in Joshua Tree National Park or staying in a local hotel are excellent options. For lodging recommendations please visit the HDTS website’s Directions page.

For future updates and event listings for future incarnations of The New Everyday Life email us at info.hdts@gmail.com